Fender continued the tradition of it’s ‘50s “Tele Blond” finish (also known as a “Mary Kay Blond” finish on ‘50s Strats) on a few Jazzmasters, where the grain of the ash body shows through the translucent cream finish and is nicely complemented by the tortoiseshell pickguard. This example is in very fine condition with a nice burl figuring to the maple neck and headstock. The Brazilian rosewood fretboard also has some very pronounced figuring. Brown OHSC.